ARCHIVE RECITALS
- 2005
Jan, Feb, Mar, Apr, May, Jun, Jul, Sep, Oct, Nov, Dec
RECITAL - January 9th 2005
Siona
Stockel - Soprano
Frances
Norbury - Baroque
Oboe and Recorder
Joseph McHardy - Harpsichord
 |
COMPOSER |
TITLE |
|
Henry Purcell |
'Bid the Virtues' from Come Ye Sons of Art
Halcyon Days'
|
|
Antonio
Vivaldi |
'Domine Deus' from Gloria
|
|
G F Handel |
'Gentle Morpheus' from Alceste
'Hush, Ye Pretty Warbling Choirs' from
Acis and Galatea |
|
|
Sonata for oboe and continuo in G minor,
Bk 2 No.3
(untitled) - Air - Hornpipe-Digue
|
|
|
'Plaint' from The Fairy Queen
|
|
|
'Sich üben im Lieben' from the 'Wedding' cantata,
BWV 202
|
|
RECITAL - February 13th 2005
Tom
Evans - Violin
Emma
Greenwood - Horn
Daniel Browell - Piano
|
COMPOSER |
TITLE |
|
Ludvig van Beethoven
|
Violin Sonata
in G, op.30, no. 3
Allegro assai
Tempo di Minuetto ma molto moderato
e grazioso
Allegro vivace |
|
Johannes Brahms
|
Horn Trio in
Eb, op.40
Andante
Scherzo Allegro
Adagio molto
Finale: Allegro con brio |
|
RECITAL - March 13th 2005
TRIPTYCH
Rachel
Baldock - Oboe
Matthew Orange - Bassoon
Bethany Philips - Piano
|
COMPOSER |
TITLE |
|
Joseph Bodin
de Boismortier |
Sonata in E minor
for oboe, bassoon and
basso continuo
Allegro - Adagio - Allegro |
|
Ludwig van Beethoven |
Trio op.38 for
piano, clarinet or violin and cello,
after the Septet
op.20 (1802 - 3)
2nd movement: Adagio cantabile |
|
Francis Poulenc |
Trio for piano, oboe and bassoon (1926) |
|
Jean
Françaix |
Trio for oboe, bassoon and piano (1994)
3rd and 4th movements:
Andante - Finale |
|
Madeleine Dring |
Trio
1st Movement |
|
RECITAL - April 10th 2005
Oliver Gooch - Piano
Susanna Stranders - Piano
|
|
|
|
|
Slavonic Dance, Op.46, No.5
|
|
|
Two Norwegian Dances, Op.35
|
|
|
Petite Suite
En Bateau - Cortège - Menuet - Ballet
|
|
|
Waltz, Op.39, No.2
Hungarian Dance, No.7
Waltz, Op.39, No.15
Hungarian Dance, No.1
|
|
|
Polka from Schwanda the Bagpiper
|
|
|
Bolero |
|
RECITAL - May 8th 2005
Byron
Consort
|
COMPOSER |
TITLE |
|
William Byrd |
Haec Dies
Psallite Domino |
|
Luca Marenzio |
O Rex Gloriae |
|
Joseph Rheinberger |
Kyrie & Gloria
from Mass in Eb |
|
Déodat de Sévérac |
Tantum Ergo |
|
Gioachino Rossini |
O Salutaris Hostia |
|
Thanatip Viturawong |
Ave Verum |
|
Charles Stanford |
Justorum Animae
Coelos Ascendit Hodie
Beati Quorum Via |
|
Henryk Górecki |
Totus Tuus |
|
RECITAL - June 12th 2005
Morwenna
- Cello
Susie
Summers - Piano
|
COMPOSER |
TITLE |
|
Ludwig
van Beethoven |
Sonata
in D, 1st movement |
|
Sergei Rachmaninov |
Sonata,
3rd movement |
|
Bohuslav Martinu |
Rossini
Variations |
|
RECITAL - July 10th 2005
The
Choir of St Michael's
accompanied by Organ and Instrumentalists
Soloists: Vicki
Henley, Karin Schreiber
Abigail
Boreham - Soprano
Madeleine
Shaw - Mezzo Soprano
|
COMPOSER |
TITLE |
|
Antonio Vivaldi |
Gloria |
|
RECITAL - September 11th 2005
Dimitar
Burov - Violin
Mina
Miletic - Piano
|
COMPOSER |
TITLE |
|
Ludwig van Beethoven |
Sonata in A major,
Op.12, no.2
Allegro vivace
Andante piu tosto Allegretto
Allegro piacevole |
|
Edvard Grieg |
Sonata in C minor, op. 45
Allegro molto ed appassionato
Allegretto espressivo alla
Romanza-Allegro molto
Allegro animato
|
|
RECITAL - October 9th 2005
Louisa
Dennehy - Flute
Peter
Sparks - Clarinet
Ciara
Moroney - Piano
|
COMPOSER |
TITLE |
|
Dimitri Shostakovitch |
|
|
Franz Ignaz Danzi |
Concertante
for Flute and Clarinet |
|
Sarah
Colman |
Duo
for flute and clarinet |
|
Maurice
Emmanuel |
Sonate |
|
RECITAL - November 13th
2005
The
Herga Swing Band
|
PROGRAMME |
|
|
In Ages Past
I Don't Know How To Love Him
My Favourite Things
Blueberry Hill
Chattanooga Choo-Choo
Tuxedo Junction
What I Did For Love
Basin Street Blues |
Andrew Mackereth
arr. Jerry Nowak
arr. Michael Sweeney
arr. Jerry Nowak
arr. Frank Gomstock
arr. Jerry Nowak
arr. Jerry Nowak
arr. Jerry Nowak |
|
RECITAL - December 11th
2005
Wigmore Hall Young Artist,
Ronan Collett - Baritone
Christopher Glynn -
Piano
|
COMPOSER |
TITLE |
|
Robert Schumann |
Dichterliebe |
|
| |
Dichterliebe ('A
Poet's Love'), which tells (to verse by Heine) a tragic
Romantic story of the flowering of love, its failure and
poet's exclusion from joy and his longing for death. Schumann,
as a pianist composer, made the piano partake fully in
the expression of emotion in such songs, often giving it
the most telling music when the voice had finished. |
|
