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RECITAL - March 13th 2005
TRIPTYCH
Rachel
Baldock (oboe)
Matthew Orange (bassoon)
Bethany Philips (piano)
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COMPOSER |
TITLE |
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Joseph Bodin
de Boismortier (1682 -1765) |
Sonata in E minor
for oboe, bassoon and
basso continuo
Allegro - Adagio - Allegro |
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Ludwig van Beethoven
(1770 -1827) |
Trio op.38 for
piano, clarinet or violin and cello,
after the Septet
op.20 (1802 - 3)
2nd movement: Adagio cantabile |
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Francis Poulenc (1899 -1963) |
Trio for piano, oboe and bassoon (1926) |
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Jean
Françaix
(b.1912) |
Trio for oboe, bassoon and piano (1994)
3rd and 4th movements:
Andante - Finale |
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Madeleine Dring |
Trio
1st Movement |
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RACHEL
BALDOCK has recently returned to England
after a year living in Leipzig, Germany, where she
studied oboe as a DAAD award-holder with Professor
Christian Wetzel. She is now combining her career as
an oboist with research into the concepts and methods
of performance, in reference to C.P.E. Bach. She has
been awarded an Arts and Humanities Research Board
scholarship to enable her to carry out the research
at the Royal Academy of Music, leading to a PhD.
Prior to her travels to Germany, Rachel did a Masters performance degree (oboe)
at the Royal Academy of Music and before that a Bachelor degree at Cambridge
University.
Rachel has consistently been successful in winning awards and prizes for her
oboe-playing, including a Countess of Munster award, the Leila Bull oboe prize
(Royal Academy of Music), a scholarship for a summer residency at the Banff centre
for the Arts (Canada) and a place in the final of the Yamaha Woodwind Scholarships
competition.
Rachel has been equally active in orchestral and solo work (including performances
with the European Union Youth Orchestra, London Chamber Players, Southbank Sinfonia,
London Sinfonietta and concerto performances with Guildhall Strings, the Royal
Academy baroque orchestra, Cambridge University Orchestra, the Chancery Orchestra,
EMFEB Symphony Orchestra).
As a chamber musician she has been particularly active with her group Triptych,
with whom she has performed in venues around London. |
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MATTHEW
ORANGE was born in London in 1978 and began his musical
studies in piano and flute. At the age of 15 he started
playing the bassoon and in 1997 went on to study bassoon
at the Royal College of Music with Martin Gatt and Julie
Price; also studying flute as second study with Christopher
Hyde-Smith. Having gained BMus (Hons) at the Royal College
of Music in 2001, he won a full scholarship for a postgraduate
diploma at the Royal Academy of Music, studying with Gareth
Newman and John Orford, and received a distinction in 2002.
Matthew has won various prizes within R.C.M. and R.A.M.
including bassoon prizes and chamber music prizes at both
conservatoires. He received Silver Medal in the Shell LSO
Music Scholarship in 2001, including a concerto with the
London Symphony Orchestra.
Matthew has worked with many
eminent conductors, such as Jan Pascal Tortelier, Sir Colin
Davis, Marin Alsop and in 2003, as a member of the European
Union Youth Orchestra, working with Ashkenazy, playing
in a London Prom, and in the Concertgebouw with Haitink.
He has worked in Portugal with the Algarve Symphony Orchestra,
and regularly worked with the Hallé Orchestra, Manchester,
the Nash Ensemble of London, and in 2003, on trial for
Principal Bassoon with Bournemouth Symphony Orchestra.
He has been on trial for Principal with BBC National Orchestra
of Wales from 2003-2004 and is now a Guest Principal. He
is at present on trial with the Royal Scottish National
Orchestra, since September 2004, for Co-Principal Bassoon,
and is auditioning for second bassoon in the Royal Concertgebouw
Orchestra in Amsterdam in January 2005. |
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BETHANY
PHILLIPS has recently completed a two-year
postgraduate diploma in piano accompaniment at the
Royal Academy of Music, studying with Julius Drake
and Aaron Shorr, and was awarded a distinction for
her final recital. While at the R.A.M., she won a number
of prizes for piano accompaniment, including the Friends
of R.A.M.’s Wigmore Award, and the Elena Gerhardt
Lieder Prize, and received commendations in several
competitions for chamber music. Prior to this she read
music at Jesus College, Cambridge, graduating in 2000
with a first class degree and the university’s
prize for the best performance in the final recital
examinations.
Bethany participated in many masterclasses at the R.A.M. with Colin Carr, Rudolf
Jansen, Malcolm Martineau, Kazuki Sawa and Robert Tear; and with Menahem Pressler
at the 2002 Oxford International Piano Festival.
Bethany enjoys collaborating with both instrumentalists and singers, and recent
performances have included recitals for cello and piano at St Martin-in-the-Fields,
the National Portrait Gallery and the University of London’s Senate House;
recitals with singers at the Royal Hospital, Chelsea, at Regent Hall and in Bristol,
Suffolk and Kent; and two early evening concerts of quintets and trios for piano
and woodwinds, as part of the “Mostly Mozart” festival at the Barbican
Centre. |
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